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This presentation is a reflection on the bodily experience of the person presenting in relation to coloniality. The person presenting follows Paola Bacchetta’s suggestion proposed by an earlier generation of Feminists and Queers of Color that “No one is a neutral subject and that one should always situate oneself in relation to the topic of one’s discourse.”
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![Marching 1968/2018]( "Marching 1968/2018")
infoPractice for the opening ceremony in the Olympic Village, Mexico City
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![Students at the Universidad Nacional Autónoma, Mexico City]( "Students at the Universidad Nacional Autónoma, Mexico City")
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![Olympic Stadium (outside) and Plaza de las Tres Culturas (Tlatelolco), Mexico City]( "Olympic Stadium (outside) and Plaza de las Tres Culturas (Tlatelolco), Mexico City")
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![Panorama of Plaza de las Tres Culturas (Tlatelolco), Mexico City]( "Panorama of Plaza de las Tres Culturas (Tlatelolco), Mexico City")
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![Olympic Stadium (inside), Mexico City]( "Olympic Stadium (inside), Mexico City")
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![Diver]( "Diver")
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![Social Dissolution of the West]( "Social Dissolution of the West")
infoExpositie overview
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![Route of the Olympic Flame in 1968]( "Route of the Olympic Flame in 1968")
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![Social Dissolution of the West]( "Social Dissolution of the West")
infoExpositie overview
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![Archive, Mexico City]( "Archive, Mexico City")
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![The Giant Series (2001, 2009, 2017, ...)]( "The Giant Series (2001, 2009, 2017, ...)")
infoHarmony Hammond wrote about "The Giant Series": "In Giant (2), a movie poster-size color photograph, Hazekamp copies her 2001 version of the same image. In a kind of drag on drag, she performs herself performing actor James Dean as depicted in the movie's poster. The focus is on the awkward figure held in suspension. An ongoing project, Hazekamp hopes to make another version every eight years or so, thereby claiming and transforming the image through repetition."
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![Probeer Andere Zoektermen / Museum Het Valkhof]( "Probeer Andere Zoektermen / Museum Het Valkhof")
infoEindpresentatie van Probeer Andere Zoektermen op 8 verschillende locaties in Nijmegen.
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![Probeer Andere Zoektermen]( "Probeer Andere Zoektermen")
infoOnderdeel van Probeer Andere Zoektermen op 8 verschillende locaties in Nijmegen.
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![Probeer Andere Zoektermen]( "Probeer Andere Zoektermen")
infoOnderdeel van Probeer Andere Zoektermen op 8 verschillende locaties in Nijmegen.
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![nullachtfünfzehn, Ondertussen, Den Haag]( "nullachtfünfzehn, Ondertussen, Den Haag")
info"nullachtfünfzehn" is a project by Risk Hazekamp and Tania Witte, based around the question how identity is defined. The project is an ongoing research about the (im)possibility of rural queer lives.
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![Solitary Fruit / Swamp]( "Solitary Fruit / Swamp")
infoSerie van 20 analoge foto's. Risk Hazekamp followed the 1959 route of the (white) American writer J. H. Griffin, who in his in 1960 published book "Black Like Me" reports of his travels as a black man (with help of medicine, UV light and make-up) through the Deep South. Hazekamp projected this subversive idea on the Gender theme and traveled not as a woman, but as a man.
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![Solitary Fruit]( "Solitary Fruit")
infoSerie van 20 analoge foto's.
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![Solitary Fruit / Selma]( "Solitary Fruit / Selma")
infoSeries of 20 analogue photographs. Risk Hazekamp followed the 1959 route of the (white) American writer J. H. Griffin, who in his in 1960 published book "Black Like Me" reports of his travels as a black man (with help of medicine, UV light and make-up) through the Deep South. Hazekamp projected this subversive idea on the Gender theme and traveled not as a woman, but as a man.
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![Solitary Fruit / Preparing]( "Solitary Fruit / Preparing")
infoSeries of 20 analogue photographs. Risk Hazekamp followed the 1959 route of the (white) American writer J. H. Griffin, who in his in 1960 published book "Black Like Me" reports of his travels as a black man (with help of medicine, UV light and make-up) through the Deep South. Hazekamp projected this subversive idea on the Gender theme and traveled not as a woman, but as a man.
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![The Great Depression / diptych]( "The Great Depression / diptych")
info"The Great Depression" is based on Walker Evans' photos of white cotton tenants made in Alabama in 1936. It is about the similarities between the 30-ies and now: financial crises, economic recession, but also similarities in nature: extreme long dry periods in time.
Risk Hazekamp is an inter-dependent visual artist and researcher. Risk is also an art educator in the broadest sense of the word and regularly assumes the position of a student.
Risk Hazekamp is also a trans-person. Their work has long revolved around the complex and constantly changing relationship between body and image. Gender has been a central element, not only as a subject, but also as a theoretical framework. The questions formulated on the theme of gender were later applied to other socio-political issues. Through a combination of personal activism, intersectional thinking and analogue photography, visual thinking processes are developed to change existing systems.
After studying at Willem de Kooning Academy in Rotterdam and Jan van Eyck Academy in Maastricht, Risk worked and lived in Berlin for 11 years. They showed work at many international art fairs until deciding in 2010 to no longer participate in commercial art contexts. In that same year Risk started lecturing at different art academies and is now tutor and academic advisor at StJoost School of Art & Design in the Art & Research department and the minor Arts & Humanity.
Most recently, Risk graduated from the Advanced Master of Research in Art & Design at Sint Lucas School of Arts in Antwerp and participated in the Decolonial Summer School 2020 and 2021, a collaboration between the Van Abbemuseum Eindhoven and the University College Roosevelt, Utrecht University. In September 2020 they started as researcher with the Research Group Biobased Art & Design of the Centre of Applied Research for Art, Design and Technology of Avans University of Applied Sciences.
Websites
Social media
Maakt deel uit van Kunstenaarsinitiatief / Collectief / Broedplaats
Networked Collective + Calcite Revolt
Platform
Lid van Beroeps- / Kunstenaarsvereniging
Platform BK
Curriculum vitae
Opleidingen
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2021 - 2021Decolonial Summer School 2021, a collaboration between the Van Abbemuseum Eindhoven and the University College Roosevelt, Utrecht University Utrecht University
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2020 - 2020Decolonial Summer School 2020, a collaboration between the Van Abbemuseum Eindhoven and the University College Roosevelt, Utrecht University Utrecht University
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2019 - 2020Advanced Master of Research in Art & Design Sint Lucas School of Arts Antwerpen Diploma behaald
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1995 - 1997Beeldende Kunst Maastricht, Jan van Eyck Academie Diploma behaald
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1990 - 1995Beeldende Kunst (3D & Fotografie) Rotterdam, Academie van Beeldende Kunsten Diploma behaald
tentoonstellingen
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2021VAPORI Research Project Visual Container TV curator: Simona Da Pozzo www.visualcontainer.tv/vapori/ Groep
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2021QUEER AS GERMAN FOLK Goethe-Institut New York curator: Birgit Bosold. Queer as German Folk was originally launched in 2019 as an “exhibition on-demand” coinciding with the 50th anniversary of the Stonewall Riots. This extensive exhibition has now been converted into a compact, digital experience. This new format allows visitors to experience the queer movement past and present from anywhere in the world – furthering the project’s goals of maximum accessibility. queerexhibition.org/en Groep
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2020UNLEARNING PHOTOGRAPHY Buenos Tiempos, Int. curatoren: Alberto García del Castillo & Marnie Slater buenostiemposinternational.com/exhibitions/ Solo
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2020RATHER RAW BUT TURNING SOFTER Online final presentation of the Advanced Master of Research in Art & Design 2019-2020 www.adma.be/2019-2020/risk-hazekamp Groep
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2019TIES, TALES AND TRACES, Dedicated to Frank Wagner, Independent Curator (1958-2016) KW Institute for Contemporary Art Berlijn, Duitsland www.kw-berlin.de/files/KW_2019_Frank_Wagner_EN_Neudruck.pdf Groep
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2019DE STAD, DE STAD Garage Rotterdam Rotterdam, Nederland catalogue.garagerotterdam.nl/en/catalogues/38/artworks/736/ Groep
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2019QUEER AS GERMAN FOLK Goethe-Institut New York, Verenigde Staten curator: Birgit Bosold Groep
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2019WHAT ABOUT ME? VU Art (Vrije Universiteit) Amsterdam, Nederland curator: Wende Wallert Groep
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2018SOCIAL DISSOLUTION OF THE WEST Pennings Foundation Eindhoven, Nederland Social Dissolution of the West is inspired by a romantic episode that took place during Hazekamp’s childhood years. She follows the route of her uncle and aunt, who first met each other during the Olympic Games of 1968 in Mexico City. They were both participating for the Dutch Olympic team, he rowing the Eight for Holland, she a platform diver. Mexico City 1968. The city was afire. Ten days before the opening ceremony of the Olympic Games, student protests ended in a bloodbath. This tragic event still determines the social and political landscape of Mexico. The parallel lives of the Mexican students and the Dutch athletes could not have been of greater contrast. The project concentrates on the reversal of perspectives. It poses questions about the position of the person watching and the person being watched. Are we able to recognize the limitation of our own views? Are we able to think outside the narrative that is presented to us? How can we, today, understand the Olympic Games of 1968 from the perspective of decolonisation? What exactly happened when the Olympic flame was taken from “Old Europe" to its former colony Mexico and the organizing committee decided that “the torch should follow the course of Columbus's first voyage to The New World"? www.penningsfoundation.com/risk-hazekamp Solo
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2017LIGNES DE VIE FONDATION NEUFLIZE VIE Parijs, Frankrijk Commissaire d’exposition: Marc Donnadieu Groep
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2017WHAT'S NEW... Museum Arnhem Arnhem, Nederland www.museumarnhem.nl/tentoonstellingen/whats-new/ Groep
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2016(S)HE: searching for the other CBK Zuidoost Amsterdam, Nederland curator: Renske de Jong www.cbkzuidoost.nl/event/she-searching-for-the-other/ Groep
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2015IDENTITY AND THE SELF RAM Foundation Rotterdam, Nederland ramfoundation.nl/archive_title.php?id=11 Groep
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2015SPIEGELOOG zelfportretten vanaf 1900 Museum Arnhem Arnhem, Nederland curator: Mirjam Westen www.museumarnhem.nl/tentoonstellingen/spiegeloog/ Groep
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2015THERE IS ANARCHY IN OUR MIDST SEA Foundation Tilburg, Nederland Besides analogue black and white photography Hazekamp uses other media in this presentation such as collage, drawing, sculpture and video. There is Anarchy in our Midst stems from the residency of Hazekamp in the heart of The Dust Bowl, in Boise City, Oklahoma Panhandle and draws a parallel between the 1930’s of the last century and the present. Risk emphasizes in her presentation the repetitive nature of time, forming a ‘time loop’ in which past, present and future mix with each other. She poses the argument that Nature and Economics go hand in hand. www.seafoundation.eu/risk-hazekamp/ Solo
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2015PROBEER ANDERE ZOEKTERMEN 8 locaties in Nijmegen: Het Besiendershuis, Museum Valkhof, De Klinker, Galerie Bart etc. Nijmegen, Nederland TRY DIFFERENT KEYWORDS is an interdisciplinary project of visual artist Risk Hazekamp (NL) and spoken word artist and writer Tania Witte (DE). The project is based around the question how identity is defined. It is an ongoing research about the (im)possibility of rural queer lives. www.trydifferentkeywords.com Duo
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2014iD Hanmi Gallery London, Verenigd Koninkrijk curator: Antoni Ferrer Groep
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2013-nullachtfünfzehn- (doorgestreept) VBKÖ Wenen, Oostenrijk -nullachtfünfzehn- (the letters are crossed out) is an interdisciplinary project of visual artist Risk Hazekamp (NL) and spoken word artist and writer Tania Witte (DE). The project is based around the question how identity is defined. It is an ongoing research about the (im)possibility of rural queer lives. www.vbkoe.org/2013/09/17/nullachtfunfzehn/ Duo
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2013PHOTOGRAPHY EXTENDED Museum Het Valkhof Nijmegen, Nederland curatoren: Antoon Melissen + Frank van de Schoor Groep
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2011L'ÉNIGME DU PORTRAIT Musée d'Art Contemporain de Marseille Marseille, Frankrijk Œuvres de la Collection Neuflize Vie, curator: Aline Pujo Groep
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2010"SIE" AUS SOLIDARITÄT Projektraum Souterrain Berlijn, Duitsland curator: Claudia Funke Solo
projecten
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The First Eleven (work in progress) independent project Nederland, Zuid-Afrika, Deep South samenwerkingsproject met journalist/schrijver Fred de Vries
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Probeer Andere Zoektermen / Try Different Keywords independent project Nederland, Duitsland, Oostenrijk www.trydifferentkeywords.com An ongoing project since 2011 by Risk Hazekamp and Tania Witte. The project is based around the question how identity is defined. The project is an ongoing research about the (im)possibility of rural queer lives.
Internationale uitwisselingen / Artist-in-residencies
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2021Koninklijke Bibliotheek Den Haag, Nederland AiR (via Stroom) bij de KB www.kb.nl/nieuws/2021/risk-hazekamp-start-als-tweede-artist-in-residence
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2015Besiendershuis, in samenwerking met het Instituut voor Genderstudies van de Radboud Universiteit Nijmegen, Nederland www.besiendershuis.com/probeer-andere-zoektermen/
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2013SOMA, AiR Mondriaan Fonds, Mexico City (MX) Mexico City, Mexico somamexico.org/es/soma/risk-hazekamp
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2011PIONEER BLUFFS FOUNDATION, Matfield Green, Kansas (US) Matfield Green, Kansas, Verenigde Staten
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2009The Harwood Museum Of Art, Taos, New Mexico (US) Taos, New Mexico, Verenigde Staten www.harwoodmuseum.org/exhibitions/view/58
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2008ArtRoPa, Paramaribo <> Rotterdam <> Paramaribo (SR) Paramaribo, Suriname
publicaties
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2021Versatile Relationality St Lucas School of Arts Antwerp / KdG Risk Hazekamp Antwerpen, België artikel in "TYPP Research Publication"
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2020Unlearning Photography Mister Motley, Amsterdam Risk Hazekamp Nederland Presentatie onderzoek bij Motley College, Mister Motley
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2018"The arena of masculinity: William Stoner and masculinity studies" Boek Uitgeverij Routledge, Redactie: Rosemarie Buikema, Liedeke Plate and Kathrin Thiele Liedeke Plate Verenigd Koninkrijk essay in "Doing Gender in Media, Art and Culture: A Comprehensive Guide to Gender Studies"
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2018Jaarboek voor Vrouwengeschiedenis special 2018 Boek Uitgeverij Verloren, Redactie: Myriam Everard en Ulla Jansz Nederland beeldessay in Jaarboek 2018
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2015"Zuid-Afrika: Kaapse Slaven. Masters en bastaards" De Groene Amsterdammer Nr. 51/52 Fred de Vries Nederland www.groene.nl/artikel/masters-en-bastaards foto's bij artikel, samenwerking met Fred de Vries
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2015"Gender als trans/formatie" Boek Uitgeverij IGS/Radboud Universiteit, Redactie: Dr. S. Dudink en Dr. L. Plate Dr. L. van den Hengel Nederland essay in "Mythen van gender"
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2015"Mannelijkheid als strijdtoneel: William Stoner en mannenstudies" Boek Uitgeverij Coutinho, Redactie: Dr. R. Buikema en Dr. L. Plate Dr. L. Plate Nederland foto boekcover + essay in "Handboek genderstudies in media, kunst en cultuur"
Recensies
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2021"growth and limits of art in public space" Magazine Annemiek van Grondel Nederland www.bkinformatie.nl/wp-content/uploads/2021/03/BK-informatie-special-edition-maart-2021.pdf 40 years BK-informatie - anniversary edition Art in Public Space
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2018Een goed verhaal van Risk Hazekamp Website Domeniek Ruyters / Metropolis M Nederland www.metropolism.com/nl/reviews/36631_pennings_foundation_risk_hazekamp Metropolis M | 31.10.2018 | REVIEW — De tentoonstelling is net voorbij, maar het verhaal is te goed om niet te vertellen. Een liefdesgeschiedenis, een politieke misdaad, een jarenlange cover-up en de schande van Mexico 68.
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2018Olympische Spelen met een luguber randje Krant Rianne van Dijck / NRC Nederland www.nrc.nl/nieuws/2018/10/23/olympische-spelen-met-een-luguber-randje-a2752417 NRC | 23.11.2018 | Fotografie In een totaal-installatie van nieuwe en oude fotografie vertelt Risk Hazekamp een persoonlijk verhaal over de Olympische Spelen in Mexico in 1968. Tien dagen voor de opening van die Spelen eindigden studentenprotesten in een bloedbad.
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2018Transposities - Risk Hazekamp en de kunst van gender Louis van den Hengel Nederland riskhazekamp.com/images/SEKSE_vdHengelHazekamp.pdf Hoofdstuk in boek: Sekse, een begripsgeschiedenis. (Uitgevrij Verloren, Hilversum)
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2018KUNST IS LANG Radio Mister Motley Radio Amsterdam, Nederland www.mistermotley.nl/en/node/2503 Uurlang interview in de uitzending van 17-01-2018
artistieke nevenactiviteiten
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2021 - --Lecture "Unlearning Photography" + panel discussion with Arno van Roosmalen and Quinsy Gario, Symposium Kunst in de Openbare Ruimte, BK-informatie, Het Huis, Utrecht (NL)
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2021 - --Hosting + lecture, Living Artefacts, Studium Generale St. Joost, CMD ACUE, CMD AI&I, Centre of Applied Research for Art, Design and Technology of Avans University of Applied Sciences (NL)
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2021 - 2022Mentoring 'werkbijdrage jong talent traject' with Marijn Kuijpers, Mondriaan Fonds and Cultuur+Ondernemen (NL) Loopt nog
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2021 - 2022Coaching 'Jump! talentontwikkelingstraject' with Bo Stokkermans, TalentHub Brabant, Provincie Noord-Brabant (NL) Loopt nog
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2021 - --Presentation + conversation, Department of Fine Arts, Willem de Kooning Academy, Rotterdam (NL)
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2021 - --Workshop "DIY bio-based", St. Joost School of Art & Design, Den Bosch (NL)
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2020 - --Researcher, Research Group Biobased Art & Design, Centre of Applied Research for Art, Design and Technology Loopt nog
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2019 - --Workshop ‘Camera Obscura’, Master Interior Architecture, Academie Beeldende Kunsten Maastricht (NL)
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2019 - --Guest Tutor, Art and Design Track - University College Roosevelt, Utrecht University, Middelburg (NL)
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2019 - --Guest Tutor, Art and Design Track, University College Roosevelt, Utrecht University, Middelburg (NL)
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2019 - --Academic Advisor, Department Art & Research, St. Joost School of Art & Design Breda|Den Bosch (NL) Loopt nog
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2018 - --Qtopia Queer Arts Festival, making space for Sands Murray Wassink, Expoplu, Nijmegen (NL)
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2018 - --KUNST IS LANG, Mister Motley Radio + Luuk Heezen, Risk Hazekamp, VondelCS, Amsterdam (NL)
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2017 - --Brandstof | Filmscreening & Artist Talk, curator Sjoerd Kloosterhuis, Garage Rotterdam (NL)
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2017 - --Lecture, Department of Fine Arts, Willem de Kooning Academy, Rotterdam (NL)
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2017 - --Workshop i.s.m. Charl Landvreugd, afdeling Beeldende Kunst, Willem de Kooning Academy, Rotterdam (NL)
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2015 - --Mentor STROOM KABK Invest program 2015, STROOM, Den Haag (NL)
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2015 - --Artist Talk, Museum Arnhem (NL)
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2015 - --Guest Lecture, Values of Culture, Dep. of Cultural & Literary Studies, Radboud University, Nijmegen (NL)
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2015 - --Docent afdeling Art & Research + minor Arts & Humanity, St. Joost School of Art & Design, Breda/Den Bosch (NL) Loopt nog
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2015 - --Masterclass, Replace-As-You-Think: Rethinking Identity, with response by dr. Louis van den Hengel, Institute for Gender Studies, Radboud University, Nijmegen (NL)
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2015 - --Affinity Dinners, 3 dinners organized around 3 specific gender related topics at the Besiendershuis with scientists of the Institute for Gender Studies, Radboud University, Nijmegen (NL)
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2014 - --Lezing Ostfalia Hochschule für angewandte Wissenschaften, Salzgitter (DE)
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2013 - --Artist Talk, "Miércoles de SOMA | Risk Hazekamp", SOMA, Mexico City (MX)
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2013 - --Lecture + conversation with Nina Hoechtl, "El Arte y la Mirada Queer", Programa Universitario de Estudios de Género de la Universidad Nacional Autónoma de México (UNAM), Mexico City (MX)
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2013 - --Gastdocent, Lifestyle & Design, Willem de Kooning Academy, Rotterdam (NL)
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2012 - 2014Workshop ‘Camera Obscura’, Master Interior Architecture, Academie Beeldende Kunsten Maastricht (NL)
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2010 - 2014Docent Fotografie Academie Beeldende Kunsten Maastricht (NL)
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2009 - --Lezing MOVISIE Diversiteitsprijs 2009, Rasa, Utrecht (NL)
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2009 - --Lezing Weissensee Kunsthochschule Berlin (DE)