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screen-print on a cut out steal plate accompaniment by a countdown clock going to new year
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werkende was machine met plant
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licht box
Daniel van Straalen: Through my work I question the importance of authenticity in a world that’s become dominated by the internet. Does it even matter what’s ‘real’ and what’s ‘fake’, or who’s the first to come up with a certain idea? I think that these questions are outdated: without appropriation, progress would be impossible. But even more interesting is the result of this appropriation. In this world ruled by images, representation is no longer directly derived from reality, but from imitations which form a new reality.
My interest in authenticity is a kind of glorification of the not-knowing. The idea of the ‘multiple without an original’ (Rosalind Krauss) for example, really appeals to me. I also include a certain stupidity in my work. After all, art ‘has to be light’ to appeal to a big audience. I consider ‘going dumb’, a strategy derived from rapper Lil B, of great importance. It enables me to fly off the handle within a predetermined framework and therefore to strive for total freedom.
My most recent interest derives from this strategy. I’m fascinated by memes, a concept that spreads through the internet, often in the form of (edited) images, whether or not provided with accompanying text. The language in particular puts things into perspective. The memes are mostly concerned with unintentionally famous people, references to popular culture and hoaxes. The creators of memes appropriate each other’s thereby creating a running gag: with every repetition the memes can reach a new climax. This causes a self-contained (visual) language which is very easy to understand. Memes can function as a device to open your eyes to the relativity of reality. I consider the makers almost as artists and thereby as the ultimate bridge between low and high culture".
Samenwerkingsverband
nee
Websites
Social media
Curriculum vitae
Opleidingen
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2012 - 2014Dirty art department Amsterdam, Sandberg Instituut
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2008 - 2012Beeldende kunsten/3D Den Haag, Koninklijke Academie van Beeldende Kunsten Diploma behaald
tentoonstellingen
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2024after the orgy Pharmakon gallery Den Haag / Boekasrest, Roemenië www.ofluxo.net/after-the-orgy-004-group-show-curated-by-pharmakon-gallery-in-the-hague/ Groep
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2021nothing sacred superweakness den haag , Nederland tzvetnik.online/article/nothing-sacred-group-show-at-superweakness-the-hague Groep
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2019medieval minded Stigter van doesburg amsterdam, Nederland gecureerde show artviewer.org/?s=medieval Groep
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2019
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2018Bonnefanten museum making money for my friends Groep
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2018NRW forum Düsseldorf Pizza is God Groep
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2018Mace museum, Elvas Portugal the pull of a well placed comma Groep
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2017hawaii lisbon Who are They? Solo
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2017Stigter van Doesburg (slow heavy metal music playing) Solo
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2015Stigter van Doesburg Refrigerators and other multiple verticals Solo
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2014Nest hijacking karma #2 Groep
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2014Stigter van Doesburg backspace Solo
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2013Gem Gemeente museum Den Haag Now or never Groep
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20121646 Fast is good for us Groep
Internationale uitwisselingen / Artist-in-residencies
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2018
Aankopen/werken in collecties
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2023who's whos? rood wit blauw ik hou van jou fm haaglanden den haag , Nederland schilderij (drie luik)
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2019who's who Museum Voorlinden Wassenaar , Nederland
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2017stedelijk museum schiedam schiedam nl when your anywhere
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2015de nederlandse bank amsterdam nl thinking sucks
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2015akzo nobel nederland cowboy
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2014M. van Zomeren Amsterdam Certificaat Oh?!
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2014Stigter van Doesburg & Martin van Zomeren Collectie
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2014citenzen m hotel nederland triple elvis
publicaties
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2020
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2018pizza is God - book
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2016Metropolis M Kunstenaars pagina's
Recensies
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2019
Vertegenwoordiging
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--Stigter van Doesburg Amsterdam, Nederland
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