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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoat Video Sound Art Festival, Milan, curated by Laura Lamonea and Erica Petrillo
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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoat Video Sound Art Festival, Milan, curated by Laura Lamonea and Erica Petrillo
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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoat Video Sound Art Festival, Milan, curated by Laura Lamonea and Erica Petrillo
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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoat Video Sound Art Festival, Milan, curated by Laura Lamonea and Erica Petrillo
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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoat Video Sound Art Festival, Milan, curated by Laura Lamonea and Erica Petrillo
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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoinstallation view at Prospects Art Rotterdam
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![Lose Voice Toolkit]( "Lose Voice Toolkit")
infoinstallation view at Prospects Art Rotterdam
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![Lose Voice Toolkit (video still)]( "Lose Voice Toolkit (video still)")
infoperformed by the children of Farfallopoli (1B IC Gino Strada, Torino), produced by Cripta747
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![Lose Voice Toolkit (video still)]( "Lose Voice Toolkit (video still)")
infoperformed by the children of Farfallopoli (1B IC Gino Strada, Torino), produced by Cripta747
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![Lose Voice Toolkit (video still)]( "Lose Voice Toolkit (video still)")
infoperformed by the children of Farfallopoli (1B IC Gino Strada, Torino), produced by Cripta747
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![Lose Voice Toolkit (video still)]( "Lose Voice Toolkit (video still)")
infoperformed by the children of Farfallopoli (1B IC Gino Strada, Torino), produced by Cripta747
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![‘I swallowed a butterfly]( "‘I swallowed a butterfly")
infoInstallation view of Ufun befel difì and Farfallino, projection, at ‘I swallowed a butterfly’, educational department MamBO, curated by artierranti, 2024
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![‘I swallowed a butterfly]( "‘I swallowed a butterfly")
infoInstallation view of Ufun befel difì and Farfallino, projection, at ‘I swallowed a butterfly’, educational department MamBO, curated by artierranti, 2024
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![‘I swallowed a butterfly]( "‘I swallowed a butterfly")
infoInstallation view of Ufun befel difì and Farfallino, projection, at ‘I swallowed a butterfly’, educational department MamBO, curated by artierranti, 2024
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![ABC]( "ABC")
infoduring group show ‘Greasing the Planets’, at jiuba, Amsterdam
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![Spirit talks #2]( "Spirit talks #2")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Spirit talks #1]( "Spirit talks #1")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Spirit talks #2]( "Spirit talks #2")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoinstallation view of 'In un vuoto cielo' at Sonnenstube, Lugano (CH), 2023
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![Spirit talks #2]( "Spirit talks #2")
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![Lose Voice Tool Kit (open studio edit))]( "Lose Voice Tool Kit (open studio edit))")
info2022, 16mm transferred to Full HD, 4’05’’ on a loop, with Nico Vitale
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![Lose Voice Tool Kit (open studio edit))]( "Lose Voice Tool Kit (open studio edit))")
info2022, 16mm transferred to Full HD, 4’05’’ on a loop, with Nico Vitale
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![Lose Voice Tool Kit (open studio edit))]( "Lose Voice Tool Kit (open studio edit))")
info2022, 16mm transferred to Full HD, 4’05’’ on a loop, with Nico Vitale
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![Installation view of 'Lose Voice tool kit]( "Installation view of 'Lose Voice tool kit")
info -
info
Lose voice toolkit is an ongoing research that investigates the languages of childhood, the power of silence and other forms of non-verbal communication used as a gesture of rebellion, as well as ways to build spaces of autonomy against the communicative canons dictated by the world of adults. The project was awarded the 2022 fellowship of Cripta747 Residency Programme in Turin, Italy. During 2022 Turin Art Week we presented part of the research carried out during the first two months of residency with an Open Studio event.
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![Installation view of 'Lose Voice tool kit]( "Installation view of 'Lose Voice tool kit")
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![Installation view of 'Lose Voice tool kit]( "Installation view of 'Lose Voice tool kit")
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![Installation view of 'Lose Voice tool kit]( "Installation view of 'Lose Voice tool kit")
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![Installation view of 'Lose Voice tool kit]( "Installation view of 'Lose Voice tool kit")
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![Installation view of 'Spirits talks #1']( "Installation view of 'Spirits talks #1'")
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![Spirit talk #1, video stills]( "Spirit talk #1, video stills")
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![Installation view of 'Spirits talks #1']( "Installation view of 'Spirits talks #1'")
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![Installation view of 'Spirits talks #1']( "Installation view of 'Spirits talks #1'")
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info
Spirit Talks is ongoing series of short mute B&W 16mm films. These videos are inspired by the history of ‘spirit photography’, where, coeval to the initial diffusion of the photographic medium, a big interest in spiritism arose. At the time, many female channelers gained the attention of the positivist scientific community who wanted to use photography as a way to prove or disprove the magical summonings.
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![Rehearsal of a seance: how to make oneself all ears]( "Rehearsal of a seance: how to make oneself all ears")
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![Rehearsal of a seance: how to make oneself all ears]( "Rehearsal of a seance: how to make oneself all ears")
infoscript of the performance at PIPExpo, Den Haag
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![Exercise in mediumship n.2 (for bell)]( "Exercise in mediumship n.2 (for bell)")
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![Rehearsal of a seance: how to make oneself all ears]( "Rehearsal of a seance: how to make oneself all ears")
info -
![Rehearsal of a seance: how to make oneself all ears]( "Rehearsal of a seance: how to make oneself all ears")
infoperformance documentation at PIPExpo, Den Haag, in December 2021 with Mel Chan, Lucy Cordes Engelman, Ghazale Moqanaki (substituting Shardenia Felicia due to sickness) and Noor Remmen
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![Vocal chords (video stills)]( "Vocal chords (video stills)")
info -
![The pain to speak, the pain not to (for Theresa)]( "The pain to speak, the pain not to (for Theresa)")
inforesearch image from Dictee, Theresa Hak Kyung Cha
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![The pain to speak, the pain not to (for Theresa)]( "The pain to speak, the pain not to (for Theresa)")
infofucus algae, research image
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![The pain to speak, the pain not to (for Theresa)]( "The pain to speak, the pain not to (for Theresa)")
infodirect cyanotype of pieces of fucus algae, exhibition documentation at "The Pole", Rotterdam
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoexhibition documentation at ArtauCentre #7 Liege
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoexhibition documentation at ArtauCentre #7 Liege
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infoexhibition documentation at ArtauCentre #7 Liege
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![Flighty matters]( "Flighty matters")
info“Flighty matters” is an ongoing series of three short films around the politics of production of voice and strategies of active denial. When language is so much manufactured and problematically connoted, the refusal of direct communication opens up a possibility for autonomy.
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![Flighty matters]( "Flighty matters")
info“Flighty matters” is an ongoing series of three short films around the politics of production of voice and strategies of active denial. When language is so much manufactured and problematically connoted, the refusal of direct communication opens up a possibility for autonomy.
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![Farfallino]( "Farfallino")
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![Farfallino]( "Farfallino")
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info
The film explores the ‘Farfallino’ language, a coded version of Italian used by children to secretly communicate between each other. In Italian, literally, farfallino means language of butterflies, from the animal’s noun farfalla. The work starts from the proposition of a unintelligible communication capable of transpassing species through incomprehension. While employing mechanism of exclusion and inclusion, languages creates separatisms and possible alliances, so that, eventually, the only faithful speech would be a broken one.
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![Ufun befel difì]( "Ufun befel difì")
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![Madama Butterfly, an erratic flight]( "Madama Butterfly, an erratic flight")
infodigital collage from the score of “Un bel dì vedremo” from "Madama Butterfly" (G.Puccini, 1904) and VHS-C stills
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info
The second video of the series reconstitutes the performance of G. Puccini’s aria “Un bel dì vedremo’’ from the very problematic opera “Madama Butterfly”, but sung in the argot of farfallino. The opera is widely recognized as one of the most infamous examples of orientalism and imperialist sexism. In my film, I try to explore if there is a possibility to escape mechanisms of ‘othering’ through the disruption of direct communication, both by singing and distortion of words.
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![Harpy (video still)]( "Harpy (video still)")
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![Harpy (video still)]( "Harpy (video still)")
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![Harpy (video still)]( "Harpy (video still)")
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![Installation view of 'Harpy']( "Installation view of 'Harpy'")
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info
Starting from Anne Carson’s “The gender of sound”, the third film plays around with the trope that classically associates women with an irrational and uncontrolled outflow of sounds, more similar to the monstrous than the human—the opposite of rational, self-controlled, moderate in speaking Man. Employing unpleasant sounds, high-pitched shrieks, and guttural groans, the video explores stages between femininity and animality. The film starts with a woman who is losing her voice, but this loss provokes other physical mutations. The camera’s point of view goes down in the woods, suggesting the perspective of a critter that is moving four-footed. The disappearing voice will eventually come back as animals’ cries.
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![All the things we might tell]( "All the things we might tell")
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![All the things we might tell]( "All the things we might tell")
info“The Jury finds the winning thesis wonderfully written: it’s complex, layered, knowing, reflective. Using carefully chosen words to question language. They appreciate the high ambition of this thesis. It is a true master thesis in that it explores the author’s own position in relation to the subject, the field and the world. The author explores questions that are relevant today. She is trying to unpack terms and go beyond the general definitions, pushing definitions and contradictions. The Jury was especially intrigued by ‘feminism’ in relation to ‘nature’.” Joost Grootens, ACPA staff member, Leiden University (jury chair) Astrid Vorstermans, founder Valiz Publishers, Amsterdam (external jury member) Marina Otero, director of research, Het Nieuwe Instituut, Rotterdam (external jury member)
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![There is no more elsewhere]( "There is no more elsewhere")
infoLocked in my apartment during covid-19 crisis, my days are made of repetition, confinement, boredom. Personal anecdotes and pages of diary are mixed with almost otherworldly pictures of plants, platitudes shot not further than 100 meters away from my apartment.
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![There is no more elsewhere]( "There is no more elsewhere")
infoLocked in my apartment during covid-19 crisis, my days are made of repetition, confinement, boredom. Personal anecdotes and pages of diary are mixed with almost otherworldly pictures of plants, platitudes shot not further than 100 meters away from my apartment.
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
infomaking off picture
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
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![Blossoms and fruits at once]( "Blossoms and fruits at once")
info -
info
Starting from the Winogradsky column, a late XIX century positivist experiment that recreates the first stages of bacterial life on earth, Blossoms and fruits at once is a work that critically reflects on the human desire to go back to a primordial moment of existence, connecting local histories, geological temporalities, oral narratives and magical thought.
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![I travel]( "I travel")
info‘I travel’ is a eight channel video installation that stages an imaginary dialogue between eight people on the meaning of defining yourself as a woman, the role of body and relationships with other subjects, going through family, sexuality and feminist relations. Eight diverse ways to live gender with a critic and “eccentric” approach, as Teresa de Lauretis would say, starting from the question on the role of gender in the construction of identity. What is a woman? Whether “woman” is an identity acquired as a claim, whether is experienced like an external imposition, a product of social technologies that can be deconstructed.
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![I travel]( "I travel")
info‘I travel’ is a eight channel video installation that stages an imaginary dialogue between eight people on the meaning of defining yourself as a woman, the role of body and relationships with other subjects, going through family, sexuality and feminist relations. Eight diverse ways to live gender with a critic and “eccentric” approach, as Teresa de Lauretis would say, starting from the question on the role of gender in the construction of identity. What is a woman? “Woman” as an identity acquired as a claim, or experienced like an external imposition, a product of social technologies that can be deconstructed.
Websites
Personal Website
adeledipasquale.comSocial media
Maakt deel uit van Kunstenaarsinitiatief / Collectief / Broedplaats
Member of the artist-run filmlab and collective Filmwerkplaats, WORM, Rotterdam (NL),
Curriculum vitae
Opleidingen
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2018 - 2020MA Artistic Research Den Haag, Koninklijke Academie van Beeldende Kunsten Diploma behaald
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2016 - --École nationale supérieure des Arts Décoratifs, Erasmus+ ENSAD, Paris, France Diploma behaald
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2013 - 2017BA in Graphic design and Visual communication Isia Urbino, Italy Diploma behaald
tentoonstellingen
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2025Lose Voice Toolkit London Short Film Festival London, Verenigd Koninkrijk screening, UK premiere www.shortfilms.org.uk/
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2025Sortie de Résidence Artistes an Résidence Clermont-Ferrand, Frankrijk artist residency final presentation www.artistesenresidence.fr/fr Duo
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2025
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2024Lose Voice Toolkit International Film Festival Rotterdam world premiere screening iffr.com/en/iffr/2024/films/lose-voice-tool-kit
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2024I swallowed a butterfly educational department MamBO + artierranti Bologna, Italië during Art City, curated by artierranti www.culturabologna.it/events/i-swallowed-a-butterfly Solo
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2024Prospects, Art Rotterdam Van Nelle Fabriek Rotterdam, Nederland curated by Johan Gustavsson and Louise Bjeldbak Henriksen www.mondriaanfonds.nl/en/activities/prospects/ Groep
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2024Lose Voice Toolkit Bellaria Film Festival Bellaria, Italië screening, part of Princìpî Italiani Prize competition www.bellariafilmfestival.org/film-archive/principi-italiani/
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2024Matters of being #11 iii Den Haag, Nederland screening instrumentinventors.org/agenda/matters-of-being-11/
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2024Lose Voice Toolkit Lago Film Festival Revine Lago, Italië screening, part of Princìpî Italiani Prize competition
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2024Greasing the planets jiuba,No Man’s Gallery Project Space Amsterdam, Nederland initiated by Daisy Madden-Wells and Lucy Cordes Engelman Groep
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2024Lose Voice Toolkit MAMBo Nuovo Forno del Pane - Serre dei Giardini Margherita Bologna, Italië screening and talk with Caterina Molteni and Allison Grimaldi Donhaue www.culturabologna.it/events/lose-voice-toolkit-proiezione-del-film-e-conversazione
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2024Lose Voice Toolkit Stroom Den Haag, Nederland screening for Museumnacht
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2024Home Video Sound Art Festival, Tipografia Bonvini Milan, Italië curated by Laura Lamonea and Erica Petrillo videosoundart.com/
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2024Nights Heden Gallery Den Haag, Nederland exhibition in collaboration with Bermuda Open www.heden.nl/ Groep
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2024
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2023In un vuoto cielo Sonnenstube Lugano, Zwitserland curated by G. Galletti and G. Stöckli www.moussemagazine.it/magazine/adele-dipasquale-and-hunter-longe-in-un-vuoto-cielo-sonnenstube-offspace-villa-florida-lugano-2023/ Duo
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2023Harpy Video Art Miden Kalamata, Griekenland program curated by WYGIWYS, screening
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2023Farfallino FetFilm Stockholm, Zweden video art film festival screening
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2023Springboard Art Fair Werkspoorkathedraal Utrecht, Nederland curated by Youri Appelo Groep
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2023Farfallino, 42 One Minutes 69th Film Festival Oberhausen Oberhausen, Duitsland
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2023The Future We Speak The Clemente New York, Verenigde Staten curated by Eugenia Delfini www.theclementecenter.org/exhibitions-1/thefuturewespeak Groep
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2022Forked Tongues, The One Minutes Netherlands Cultural Institute Online of China online screening
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2022Lose Voice Tool Kit Cripta747 Turin open studio during Cripta747 residency and fellowship www.cripta747.it/cripta747-residency-programme-adele-dipasquale/ Solo
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2022Genealogy of Refusal Page Not Found Den Haag, Nederland part of the 'Open Letters' program, text based vetrine exhibition Solo
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2022Farfallino, Limburg Biennale Marres Maastricht, Nederland curated by Mickey Yang Groep
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2022
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2022Il silenzio della lingua Centrale Festival, Rocca Malatestiana Fano, Italië curated by Giulia Moscheni Groep
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2022Blossoms and fruits at once Labirynth Festival, WORM Rotterdam, Nederland experimental film festival
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2022Bermuda Open Studios ed.II Den Haag, Nederland open studio, supported by Stroom Den Haag Spot Grant Groep
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2022Glued and screwed #1, Harpy WYSIWYG, Filmhuis Den Haag, Nederland screening program with Giulio Squillacciotti and Dania Bdeir
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2022Forked Tongues, The One Minutes 68th Film Festival Oberhausen Oberhausen, Duitsland
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2022Harpy Castello di Rivoli Turin, Italië presentation by Cripta747 during Supercondominio, screening
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2022Rehersal of a seance W139 Amsterdam, Nederland (cancelled for Covid)
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2021Momentje alsjeblief, I’m lost for words PIP Expo Den Haag, Nederland with Lena Longefay and Struggling Art Space, initiated by Alex Webber and Laura Snijders Groep
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2021(Almost) Back to the Future festival Filmwerkplaats Film Festival Rotterdam, Nederland film festival by Filmwerkplaats, with Ben Rivers, Daïchi Saïto, Stan Brakhage between many filmwerkplaats.org/?almost-back-to-the-future Groep
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2021Forked Tongues, The One MInutes Het Nieuwe Instituut Rotterdam, Nederland online film premiere and Q&A, curated by Madison Bycroft, www.theoneminutes.org/series/forked-tongue Groep
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2021Bermuda Open Studios Open Studios Den Haag, Nederland open studios event by various artists based in the center of The Hague (between many The Balcony, Bronco and Nice Flaps) Groep
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2021Forked Tongues, The One Minutes Kinemastik International Short Film Festival Valletta, Malta world Premiere, curated by Madison Bycroft, Groep
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2021
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2021Blossoms and fruits at once Art au centre #7 Liege, Nederland vetrine solo exhibition www.artaucentre.be/ Solo
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2021The Hague Contemporary, Art The Hague Den Haag, Nederland artists’ books exhibition for winners of KABK thesis prizes Groep
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2021Drawing appreciation day ...ism Project Space Den Haag curated by Hgtomi Rosa Groep
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2021Pandora’s Box IFTF Internationales Frauen*Theaterfestival 2021 Frankfurt am Main, Duitsland feminist festival of video art and performances Groep
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2020Tumbleweed #4 Beursschouwburg Brussels, België video art screening, initiated by Christina Stuhlberger Groep
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2020The Town Mouse and the Country House Spin-off The Balcony Den Haag, Nederland vetrine exhibition curated by Arthur Cordier & Valentino Russo Groep
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2020The Town Mouse and the Country House disclosed location/online Rochefort/Den Haag, België remote on & offline exhibition during first corona crisis, curated by Arthur Cordier & Valentino Russo thebalconythehague.com/The-Town-Mouse-and-the-Country-House Groep
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2020A simple fizz Quartair Den Haag, Nederland curated by Jonatan Habib Engqvist Groep
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2019Flighty matters KABK Graduation Show Den Haag, Nederland Groep
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2019The ongoing conversation #6 1646 Den Haag, Nederland curated by Clara Pallí Monguilod, Johan Gustavsson and Floris Kruidenberg Groep
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2019I was mostly delighted, but yes, also a little bit afraid Quartair Den Haag, Nederland curated by Raimundas Malasauskas Groep
Internationale uitwisselingen / Artist-in-residencies
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2025
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2024
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2022Cripta747 Turin, Italië artist in residency and research fellowship, curatorial board: Alessandra Franetovich and Caterina Avataneo With the support of Cripta747, Adele Dipasquale developed a research-based project that explores childhood languages, the power of silence as a strategy of refusal and other forms of non-verbal communication. www.cripta747.it/cripta747-residency-programme-adele-dipasquale/
publicaties
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2024Loud and quiet silences, Open Letters Catalogus Page Not Found Amelia Groom in conversation with Adele Dipasquale Den Haag, Nederland page-not-found.nl/
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2024Yes? No? What do you think? Robida magazine, n.10, Correspondences Madison Bycroft in conversation with Adele Dipasquale Topolò, Italië robidacollective.com/projects/robida-magazine
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2024Nuovo Forno del Pane Outdoor Edition 2024 Catalogus MAMbo Museum of Modern Art edited by Caterina Molteni, with texts by Margherita Falqui Bologna, Italië www.museibologna.it/mambo/ residency catalogue
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2024Zomertentoonstelling Centrale Bibliotheek Den Haag Adele Dipasquale Den Haag, Nederland writing contribution for summer show
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2022Careless mothers, sterile goddesses and ungrateful offspring Eurozine www.eurozine.com/careless-mothers-sterile-goddesses-and-ungrateful-offspring/ online academic essay
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2022Art Au Centre 2019- 21 Catalog Catalogus Art Au Centre Liege, België
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2022Janas Boek Robida magazine, n.8, The island Topolò, Italië visual contribution and short text, in collaboration with Cristina Lavosi
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2021Magical ceremonies of language Boek Tijdschrift Kunstlicht Amsterman, Nederland academic essay
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2021Careless mothers, sterile goddesses and ungrateful offspring Boek Robida magazine, n. 7, The forest, Topolò, Italië robidacollective.com/ short essay and visual contribution
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2020Cards from isolation Catalogus KABK Den Haag, Nederland edited by Delphine Bedel, publication of MA Artistic Research
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2020All the stories we might tell Boek self-published Den Haag, Nederland MA Thesis
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2019The ongoing conversation, a publication Catalogus 1646, Den Haag Den Haag, Nederland Riso artist book, a collaboration between 1646 project-space, Page not found, Grafische Werkplaats and Royal Academy of Arts
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2019Keywords Boek KABK Den Haag, Nederland edited by Thijs Witty, publication of MA Artistic Research
Recensies
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2024Il tema della casa protagonista di Video Sound Art Festival 2024 Website ATP Diary, Federico Abate Italië atpdiary.com/tema-casa-protagonista-video-sound-art-2024/ review, in Italian
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2024Nuovo Forno del Pane Outdoor Edition 2024 Website ATP Diary, Federico Abate Italië atpdiary.com/nuovo-forno-del-pane-outdoor-edition-2024/ review, in Italian
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2024Sei artisti per sei luoghi di residenza: la seconda edizione di Nuovo Forno del Pane Outdoor Edition Magazine exibart, Elsa Barbieri Italië www.exibart.com/arte-contemporanea/sei-artisti-per-sei-luoghi-di-residenza-la-seconda-edizione-di-nuovo-forno-del-pane-outdoor-edition/ review, in Italian
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2024Nuovo Forno del Pane Outdoor Edition 2024 Website eflux Verenigde Staten www.e-flux.com/announcements/595703/nuovo-forno-del-pane-outdoor-edition-2024/ residency announcement
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2024A feminist curating gaze with artierranti Blog/Vlog Irene Bernardi, Femme Art Review Italië femmeartreview.com/2024/05/20/a-feminist-curating-gaze-with-artierranti/ exhibition review for 'I Swallowed a Butterfly, curated by artierranti
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2023Artist video interview Website WYSIWYG Den Haag, Nederland
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2023Adele Dipasquale and Hunter Longe “In un vuoto cielo,” Sonnenstube Offspace at Villa Florida, Lugano Magazine Mousse magazine www.moussemagazine.it/magazine/adele-dipasquale-and-hunter-longe-in-un-vuoto-cielo-sonnenstube-offspace-villa-florida-lugano-2023/
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2022Il meglio di Torino per Artissima Magazine Vogue Italia Italië www.vogue.it/news/article/artissima-torino-2022-opere-piu-belle exhibition review by Caterina Avataneo and Stella Bottai
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2022Turin Oomph / Rome Oomph, a roundup of the best shows during November Magazine Mousse magazine www.moussemagazine.it/magazine/adele-dipasquale-cripta747-turin-2022/ exhibition review
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2022Feminist Frequency Radio Den Haag, Nederland Interview for Mushroom Radio for the international day of feminist struggle (IDW)
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2020Labour and friendship Radio Den Haag, Nederland Mushroom Radio Talk at KABK, interview with Cristina Lavosi
Prijzen en stipendia
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2024Voucher Development Grant Mondriaan Fonds Amsterdam Nederland
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2022Stroom Pro Invest Stroom Den Haag, Nederland start artist grant
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2022Kunstenaar Start Mondriaan Fonds Amsterdam Nederland emerging artist grant
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2020Master Artistic Research Department Award KABK Den Haag, Nederland Winner
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2020Thesis Master Award KABK Den Haag, Nederland Winner
artistieke nevenactiviteiten
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2025 - 2025workshop lecturer at ESCAM École supérieure d’art de Clermont Métropole
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2025 - 2025lecturer, Collective Practices & Collaboration in Research in the Arts, lecture and screening, Joint Research Days, Film Lectorate, KABK, Den Haag
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2024 - 2024lecturer, fold #11 'Voice', Reading Group Host, SEA Foundation, Tilburg
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2024 - 2024lecturer, 'On taxonomies, silences and voices', Reading Group Host, Nuovo Forno del Pane MAMbo, Museo Scarabelli, Imola (IT)
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2022 - --Technical assistant at Nest, Den Haag Loopt nog
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2021 - 2021Assistant of tutor Delphine Bedel with students of the second year of MA Artistic Research for the production of the publication “The (In)Visibilist”, KABK
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2020 - 2021film-editor and co-art director for "Emma B. is not Dead" by artist Giulia Damiani
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2019 - 2019member of Reading Group 'Ritual and Display - Edition VIII', initiated by Giulia Damiani, If I Can't Dance I Don't Want to Be Part of Your Revolution, Amsterdam
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2018 - 2018Technical assistant for “The Feeling of Things” by Matt Mullican, Pirelli HangarBicocca, Milan
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2016 - 2016Tutor for “Emotional Atlas”, w/ KFG Zurich students at ISIA Urbino