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info
A 3 minutes long high-octane-jump cut heavy excerpt of 3 projects in the past. |||||||| shot and edited by SinWave, excerpt editted by G. Atabek. 4000w shot and edited by Ivan Smudja, excerpt edited by G. Atabek. Sonopotentia shot by Pim Kersemaakers, excerpt edited by G. Atabek. 2022
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VLKSFST III - IMECEinfo
On January 3rd 2020 Vølksamt! teamed up once again with kargART to create Vølksfest! III - Unplugged // kargART; a musique concrète performace without any speakers. The concert "Infinite Dynamic Range" was recorded live at the venue, to be remixed/remade/recontextualized by the associates of Vølksamt! at a later date. One year later, the resulting works are presented as 'VLKSFST III - İmece' in a colab featuring works by Vølksamt!, VLKSFST Gökçeer and Murat VLKSFST Seçkin. Mastered by Can Ersalıcı. Provided is the single "Elektrikli Tekno" Full release available on all streaming platfroms.
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![Sonopotentia II]( "Sonopotentia II")
infoSonopotentia as it was displayed in the Between Here and There Group Exhibition. The prepared piano sent out a ping of 138Hz every 17 minutes to excite the building and create resonances. Every Friday a different performance piece for Sonopotentia and a detuned piano was enacted. Photo by Pim Kersemaakers
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![Sonopotentia II]( "Sonopotentia II")
infoDetail from the prepared piano.
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![Sonopotentia II]( "Sonopotentia II")
infoPerforming
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![Sonopotentia II]( "Sonopotentia II")
infoPerforming
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Tender to the Megalomania (Framing Square)info
Single from the EP "Framing Square" Provided as an "quarantine report" during the initial Covid-19 Lockdowns. Uses material spanning anywhere from 2017 to 2020. Recorded and produce by Volksamt! in Den Haag. Full release available on all streaming platforms.
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info
A sonic poem for the staircase of Extrapool. Composition for 2 2000W Vacuum Cleaners and one 9v Radio, Shot and edited by Ivana Smudja.
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![Sonopotentia Live!]( "Sonopotentia Live!")
infoSonopotentia is a piece for prepared pianos and microphones. It explores primary sonic phenomenon such as feedback and resonance. The pianos are loaded with 4x18-inch speakers creating reverb tanks/resonators. The confines of the space combined with the pianos create a feedback chamber peaking at 150dB. Performed by our co-conspirator G. Atabek The live performance was presented in VOLKSBAR!; a one-off space constructed within the Graduation Show. In the bar a special cocktail called "Higgins" was served, made with liqueur infused with the wood reclaimed from the two pianos. Photos by Charlotte Brand
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![Sonopotentia Live!]( "Sonopotentia Live!")
infoSonopotentia is a piece for prepared pianos and microphones.
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![Sonopotentia Live!]( "Sonopotentia Live!")
infoSonopotentia is a piece for prepared pianos and microphones.
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![|||||||||||||||||]( "|||||||||||||||||")
infoAn installation based on TL lamps as primary units/bit/1s. Composed in various site-specific forms. The system functions by pushing electrical current through the body, connecting the recipient into the machine. Light reacts to body, body reacts to light, light reacts to sound, sound reacts to light, body reacts to sound, light reacts to body. Body is the tool of the trade. Made in the image of the forefathers, the original Generation Z. For they are the lightning beneath our wings. An homage to Carolee Schneemann's Hearth Chamber/Cunt Chamber
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![|||||||||||||||||]( "|||||||||||||||||")
infoAn installation based on TL lamps as primary units/bit/1s. Composed in various site-specific forms. The system functions by pushing electrical current through the body, connecting the recipient into the machine. Light reacts to body, body reacts to light, light reacts to sound, sound reacts to light, body reacts to sound, light reacts to body. Body is the tool of the trade. Made in the image of the forefathers, the original Generation Z. For they are the lightning beneath our wings. An homage to Carolee Schneemann's Hearth Chamber/Cunt Chamber An installation based on TL lamps as primary units/bit/1s. Composed in various site-specific forms. The system functions by pushing electrical current through the body, connecting the recipient into the machine. Light reacts to body, body reacts to light, light reacts to sound, sound reacts to light, body reacts to sound, light reacts to body. Body is the tool of the trade. Made in the image of the forefathers, the original Generation Z. For they are the lightning beneath our wings. An homage to Carolee Schneemann's Hearth Chamber/Cunt Chamber
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![The End]( "The End")
infoG. Atabek's death basket. 160 liters of water was dug out by him at an undisclosed location and carried manually to Herenstraat 14, making space for his and his de-facto mothers ultimate death. Made possible by The Balcony and Stroom Den Haag.
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![The End]( "The End")
infoTitle card for The End, displayed at The Balcony.
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![The End]( "The End")
infoTitle card for The End, displayed at The Balcony.
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![The End]( "The End")
infoDigging the "gracht", at an undisclosed location. Photo by Arthur Cordier
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![The End]( "The End")
infoDigging the "gracht", at an undisclosed location. Photo by Arthur Cordier
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![O/O/ - Quartet]( "O/O/ - Quartet")
infoPiece for 2 dancers and 2 performers. "O"s wield light controlled Waveshaping Oscillators. "/"s wield a single TL lamp modulated by a variac. Body is the tool of the trade. Part of the performance HayeHaye (2019), with many thanks to our colleagues from Ésam Caen.
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![O/O/ - Quartet]( "O/O/ - Quartet")
infoPiece for 2 dancers and 2 performers. "O"s wield light controlled Waveshaping Oscillators. "/"s wield a single TL lamp modulated by a variac.
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![|||||||||||||||||]( "|||||||||||||||||")
infoAn installation based on TL lamps as primary units/bit/1s. Composed in various site-specific forms. The system functions by pushing electrical current through the body, connecting the recipient into the machine. Light reacts to body, body reacts to light, light reacts to sound, sound reacts to light, body reacts to sound, light reacts to body. Body is the tool of the trade. Made in the image of the forefathers, the original Generation Z. For they are the lightning beneath our wings. An homage to Carolee Schneemann's Hearth Chamber/Cunt Chamber
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hata yapıninfo
Title track from sophomore release "hata yapın". Music for Turkey, made in Turkey, by Turkey. Composed and recorded by Volksamt in Istanbul. Full release available on all streaming platforms.
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info
"When a service is free, you are the product" :| was an installation at REM Artspace in Istanbul where the audience was invited to turn their face into the center pieces of an artwork, at the price of having their face achieved forever in a database. The resulting data set was then composited into a ISO/IEC 19794-5:2005 Biometric of G. Atabek.
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Peachfuzzinfo
Title track from the debut release "Peachfuzz" Initial noise efforts of Volksamt! Recorded and produce by Volksamt! in Den Haag. Full release available on all streaming platforms.
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info
Websites
Volksamt! Kultur Manufaktur
www.volksamt.orgSocial media
Maakt deel uit van Kunstenaarsinitiatief / Collectief / Broedplaats
Volksamt! Kultur Manufaktur
Platform
De Besturing
Curriculum vitae
Opleidingen
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2024 - 2024Bouwen aan Talent Stimulerings Fonds, Rotterdam
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2016 - 2020Artscience Den Haag, Koninklijke Academie van Beeldende Kunsten Diploma behaald
tentoonstellingen
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2021Valkhof Festival Doornroosje Nijmegen, Nederland Groep
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2021Cyberdrum PaiKa Budapest, Hongarije As I part of the Cyberdrum residency 21 artists from 3 different cities gathered at PaiKa Budapest to organize a one night spectacle with performances, installation and VR pieces. Groep
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2021Between Here and There Pulchri Studio Den Haag, Nederland Gökay Atabek (TU), geboren in Istanbul, is een mediakunstenaar en muzikant. Hij is lid van het enigmatische VØlksamt! Collectief en brak door de jaren heen maar liefst 4 ribben tijdens tal van optredens. Harold de Bree (NL) maakt werk dat vaak een industriële en/of militaire uitstraling heeft. Deze objecten met hun sobere en pure vormen resulteren in brute en sterke beelden. Zwaar, smerig, kolossaal en gevaarlijk. Het is werk dat kan worden beschouwd als herhaling en of reconstructie van delen van de geschiedenis. De kinetische sculpturen van Pim Kerssemakers (NL) zijn vaak intuïtief tot stand gekomen. Beweging is een belangrijk onderdeel in het verhaal van het werk. Dit is het resultaat van een speels onderzoek naar bewegingen en het effect dat ze kunnen hebben op verschillende objecten. Oliver Labs (DE) is een wiskundige en een kunstenaar. Zijn werken zijn niet enkel gerelateerd aan wiskunde, maar hun vormen worden zelfs bepaald door wiskundige formules. Olivers belangrijkste creatieve proces begint meestal op een vel papier, gevolgd door een lange periode achter een computer om de details te achterhalen van de formule die hij wil gebruiken. Het uiteindelijke kunstwerk wordt meestal gemaakt door hoogwaardige machines met behulp van lasertechnologie of 3D-printers. De primaire drijfveer voor het creatieve proces van Alexander Zaklynsky (VS, IS) ligt in het doorbreken van de twee- en driedimensionale velden van de traditionele kunst naar een vierde dimensie. Het doel is om deze velden te voorzien van esthetische resonantie. Uitdrukking, abstractie, representatie en ruimtelijkheid komen samen in zijn werk door middel van meditatieve verkenningen van perspectief, kleur en structuur. Deze tentoonstelling is met dank aan Stroom Den Haag tot stand gekomen. Groep
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2021Destilaat #22 Extrapool Nijmegen, Nederland Extrapool bezoekt ieder jaar de eindexamenexposities van de Nederlandse kunstacademies. Wat houdt deze jonge kunstenaars bezig? Hoe geven ze vorm aan hun werk aan het eind van hun academietijd? In de zomer van 2020 maakten welbekende omstandigheden het afstuderen ingewikkeld. Academies presenteerden hun ‘graduates’ later of alleen online. We hadden graag Destillaat fysiek laten plaatsvinden, helaas is dat niet mogelijk gebleken. De kracht van Destillaat is de werkperiode die vooraf aan de expositie plaatsvindt. Extrapool heeft dit gelukkig in aangepaste vorm op een veilige manier kunnen aanbieden aan de kunstenaars. Vanaf 23 april 20.00 zal er hier een digitale presentatie te vinden zijn. Afgelopen november hebben we de selectie in een sneak-peek al wel kunnen aankondigen. Dit is gebeurt in de vorm van een raamexpositie in de gevel van Extrapool tijdens het Young Art Weekend (YAW). De documentatie van deze mini-tentoonstelling kun je terugvinden op deze webpagina: https://extrapool.nl/weekend/extrapool-weekend-november-destillaat/ Destillaat #22 presenteert het werk van de volgende jonge kunstenaars: Angelique Farge (Amsterdam) https://angelaf.org/ Gökay Atabek (Den Haag)www.volksamt.org Judith Reijnders (Maastricht) http://www.judithreijnders.com/ WONNE (Arnhem) http://lala.cool/home.html Dave Fransz (Enschede) https://www.davefransz.com Goretti Pombo (Rotterdam) https://gorettipombo.com/ Eugenie Boon (Den Haag) https://www.eugenieboon.com Daan Mulder (Den Bosch) https://www.daan-mulder.com/ extrapool.nl/weekend/extrapool-weekend-destillaat22/ Groep
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2021Valkhof Festival Doornroosje Nijmegen, Nederland For the screens laid out on the facade of Doornroosje, Gokay Atabek & Daan Mulder have created 6 videos that border between sound art, performance and experimental cinema. www.valkhoffestival.nl/news/het-extrapool-programma/ Duo
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2020Graduation Festival 2020 Royal Academy of Arts The Hague Den Haag, Nederland graduation2020.kabk.nl/students/gokay-atabek Groep
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2019Music For Contemporary Audience Nr. 74 - The End The Balcony Den Haag, Nederland For its 18th exhibition at Herenstraat 14, The Balcony has selected Gökay Atabek‘s proposal through an Open Call. Gökay Atabek presents ‘Music For Contemporary Audience nr 74 - The End’. The artist dug a grave for himself and one for Yoko Ono. “ Since my inauguration to arts I started feeling a bond with Yoko Ono. A love that can be only described as maternal bond. The way I can elaborate, at best, would be through how I feel about V-2 Missiles. Still that wouldn't be so comprehensive either. Where I was born, we bury children next to or on top of their mothers. Maybe I wasn't born at the same place as my de-facto mother, but at least now we can be buried at the same place. ” * Gokay Atabek is an intermedia artist and a member of VØLKSAMT!, a collective serving to burn the final bridges of art. thebalconythehague.com/18-Gokay-Atabek Solo
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2019Generate Festival Loewen Tuebingen - Generate Festival Tuebingen, Duitsland “We make installations, happenings, performances and sound material. We stay away from implicit narratives and deep poetry. We are driven by our fascination. We do things to see the result. Things we are doing right now are "(Vølksamt!) festival2019.shedhalle.de/ Solo
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2018Cachee Rem Artspace Istanbul, Turkije As a part of a group exhibition, ":|" was erected at REM Artspace (IST). A screen contained in a metal frame took visitor's faces and made them the center piece of a brutalist portrait, at the price of their faces being archived in a server. Yet vox populi triumphed again. By simply not visiting the exhibition the audience transformed the work; from a computer program designed to recognize faces into a program that only recognizes walls. The resulting datapool, "Greatest Archieve of the Same Wall" is presented as 8000 distinct images composited into a ISO/IEC 19794-5:2005 Biometric of G. Atabek, our local representative at the time. View it at http://volksamt.org/Gallery/faic.html www.remartspace.com.tr/ Groep
projecten
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2024
Fire! of Unknown Origin V2_ Lab for the Unstable Media Rotterdam, Nederland v2.nl/works/fire-of-unknown-origin Infrasonic waves are roars of the Earth; generated by the shifts in tectonic plates, volcanic eruptions, ocean currents, and meteorological events. It is a spectrum of sound that is not directly perceivable to us, yet traces of our presence are encoded within it. Nuclear blasts, wind turbines, freighter shipping and other feats of moving gargantuan things around produce signatures of infrasound unique to the Anthropocene. Another emitter of infrasound, wildfires, presents a paradox; while arson is a human-induced “anthropogenic hazard”, wildfires can equally erupt without direct human intervention, however exacerbated as the consequences of the human-caused climate crisis. Observing a wildfire up close is an (anecdotally) anxiety-inducing and gut-wrenching experience, extending beyond just fright or despair. A forest fire operates as a self-sustaining feedback system: as winds carry the flames, rising hot air generates its own currents, culminating in a fiery storm. The lack of oxygen in the air, coupled with disorienting air pressure changes, transforms the experience into a peculiar physical affliction. G. Atabek’s first encounter with a wildfire was in the summer of 2023 near the coastal city of Canakkale, Turkey. This strong physical experience was what inspired the project. It is this aforementioned physicality that the project tries to explore and re-create. The departure point of the project is developing 3 fundamental tools that can listen to, interpret, and “reproduce” air movements surrounding fire. Inspired by field-recording as an artistic medium and informed by musique concrete, the final outcome of the project will be a fixed media piece presented as an installation; showcasing the unique tools developed and the recordings made by these tools.
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2022
Amplified Fencer V2_ Lab for the Unstable Media Rotterdam, Nederland v2.nl/works/amplified-fencer Amplified Fencer is a research project that investigates the implicit choreography of a fencing match. The fencer’s movements are dissected via motion sensors, formatted with the help of a neural network and remapped to an experimental audio synthesizer. Inspired by late 19th century chronophotography experiments, the explosive compositions of the fencer are displayed stretched out over time, with artificial-intelligence filling in the gaps where recording equipment (or the fencer) falls short.
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2021
DNK Ensemble presents: Intona Re-enacted V2_ Lab for the Unstable Media Rotterdam, Nederland v2.nl/events/dnk-ensemble-presents-intona-re-enacted/?searchterm=dnk For the original 1991 work, Raaijmakers heated, boiled, and pierced his microphones to capture their ‘dying breath’ within a musically theatrical context, he even dissolved them in acid. Doing so, he mobilized the microphone as an instrument in and on itself, disconnected from its common reproductive function. In a four-day reworking Intona Re-enacted, the DNK Ensemble investigates this unique performance. Following an opening performance, the space and the materials used will be slowly transformed and processed into an exhibition. Here, Raaijmakers' points of departure regarding the microphone and its cultural and musical function, serve as guideline for a series of performative and transformative processes.
opdrachten
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2024A Breather Ijselland Ziekenhuis Capelle aan den IJssel, Nederland “A Breather” is a kinetic sculpture made with a tree, resembling the shape and movement of a lung. With its inverted body and expanding and contracting branches, the work aims to amplify what connects humans to trees: breath. A linear actuator, salvaged from an old hospital bed, is used to move the sculpture and give the tree an artificial life in a hospital. The sculpture was produced in collaboration with artist Werner van der Zwan “A Breather” is permanently on display in the foyer of IJsselland Ziekenhuis in Capelle a/d IJssel, Netherlands. Uitgevoerd
publicaties
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2020Music for COntemporary Audience Vol I Boek Volksamt! Volksamt! Den Haag, Nederland volksamt.org/mfca.html Music for a contemporary audience by contemporary composers, through a contemporary scope, for contemporary art. A book archiving 40 scores written by Volksamt! betwen 2018 and 2020
Recensies
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2021
Prijzen en stipendia
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2024Design Dirigent (Bouwen aan Talent) Stimuleringsfonds Creatieve Industrie Rotterdam, Nederland Gokay Atabek werkt voor animatiestudio Prinsen.Studio mee aan een interactief beeldexperiment en gaat gesprekken voeren met dirigenten van grote orkesten en kleinere ensembles. Zo wordt een antwoord gezocht op de vraag hoe een interactief podiumproduct eruit ziet dat optimaal bijdraagt aan de beleving van een muziekstuk en daarbij muziek, design en educatie met elkaar verbindt.
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2024The Muttering Void Amarte Fonds Den Haag, Nederland
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2020Thesis Award - Nominee KABK awards, Den Haag Den Haag, Nederland
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2020Department Award - Nominee Artscience Award. KABK. Den Haag, Nederland