Cristina Lavosi

info
video installation, exhibition view at Spazio in Situ, Roma (IT)

horse is a horse of course, of course, 2024
digital video Full HD, 75” screen, pool noodles, pommel horse with stirrup
info
video installation, exhibition view at Spazio in Situ, Roma (IT)

horse is a horse of course, of course, 2024
digital video Full HD, 75” screen, pool noodles, pommel horse with stirrup
info
video installation, exhibition view at Spazio in Situ, Roma (IT)

A horse is a horse of course, of course, 2024
digital video Full HD, 75” screen, pool noodles, pommel horse with stirrup
info
video installation, exhibition view at Spazio in Situ, Roma (IT)

horse is a horse of course, of course, 2024
digital video Full HD, 75” screen, pool noodles, pommel horse with stirrup
info
In the vacuum, we felt air, Kunstfort © Kunstfort Vijfhuizen, 2024. Photo: LNDW Studio

A Choral Accomplishment, 2024
info
In the vacuum, we felt air, Kunstfort © Kunstfort Vijfhuizen, 2024. Photo: LNDW Studio

A Choral Accomplishment, 2024
info
In the vacuum, we felt air, Kunstfort © Kunstfort Vijfhuizen, 2024

A Choral Accomplishment, 2024
info
In the vacuum, we felt air, Kunstfort © Kunstfort Vijfhuizen, 2024

A Choral Accomplishment, 2024
info
In the vacuum, we felt air, Kunstfort © Kunstfort Vijfhuizen, 2024. Photo: LNDW Studio

A Choral Accomplishment, 2024
info
video installation, exhibition view at Van Nelle Fabriek, Rotterdam, during Prospects 2024 by Mondriaan Fonds

A Choral Accomplishment, 2024
4k video, wool covered room, ceramics
info
video installation, exhibition view at Van Nelle Fabriek, Rotterdam, during Prospects 2024 by Mondriaan Fonds

A Choral Accomplishment, 2024
4k video, wool covered room, ceramics
info
video installation, exhibition view at Van Nelle Fabriek, Rotterdam, during Prospects 2024 by Mondriaan Fonds

A Choral Accomplishment, 2024
4k video, wool covered room, ceramics
info
video still

A Choral Accomplishment, 2024
4k video, 3840 x 2160 px
info
video installation, exhibition view at Van Nelle Fabriek, Rotterdam, during Prospects 2024 by Mondriaan Fonds

A Choral Accomplishment, 2024
4k video, wool covered room, ceramics
info
video still

A Choral Accomplishment, 2024
4k video, 3840 x 2160 px
info
video installation, exhibition view at Van Nelle Fabriek, Rotterdam, during Prospects 2024 by Mondriaan Fonds

A Choral Accomplishment, 2024
4k video, wool covered room, ceramics
info
video still

A Choral Accomplishment, 2024
4k video, 3840 x 2160 px
info
video installation, exhibition view at Van Nelle Fabriek, Rotterdam, during Prospects 2024 by Mondriaan Fonds

A Choral Accomplishment, 2024
4k video, wool covered room, ceramics
info
video still

A Choral Accomplishment, 2024
4k video, 3840 x 2160 px
info
video installation, exhibition view at Art au Centre #13, Liège (BE)

An Enchanted Break, 2023
faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text 8 on window
info
video installation, exhibition view at Art au Centre #13, Liège (BE)

An Enchanted Break, 2023
faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text 8 on window
info
video installation, exhibition view at Art au Centre #13, Liège (BE)

An Enchanted Break, 2023
faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text 8 on window
info
video installation, exhibition view at Art au Centre #13, Liège (BE)

An Enchanted Break, 2023
faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text 8 on window
info
video installation, exhibition view at Art au Centre #13, Liège (BE)

An Enchanted Break, 2023
faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text 8 on window
info
video installation, exhibition view at Art au Centre #13, Liège (BE)

An Enchanted Break, 2023
faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text 8 on window
info
exhibition view at Tube Culture Hall, Milano (IT)

A Choral Accomplishment, Part 1: We Escape Hours and Minutes, Because We Don’t Have a Time, 2023
prints on textile, digitalised images from Kodak Portra 120mm medium format film, 74,6 x 100 cm each
info
exhibition view at Tube Culture Hall, Milano (IT)

A Choral Accomplishment, Part 1: We Escape Hours and Minutes, Because We Don’t Have a Time, 2023
prints on textile, digitalised images from Kodak Portra 120mm medium format film, 74,6 x 100 cm each
info
video installation, exhibition view at Trixie, The Hague (NL)

Getting inside the head of an ox, 2023
digital video, Full HD, window installation with pigeon decoy
info
video installation, exhibition view at Trixie, The Hague (NL)

Getting inside the head of an ox, 2023
digital video, Full HD
info
video installation, exhibition view at Trixie, The Hague (NL)

Getting inside the head of an ox, 2023
digital video, Full HD
info
video installation, exhibition view at Trixie, The Hague (NL)

Getting inside the head of an ox, 2023
digital video, Full HD, window installation with pigeon decoy
info
video installation, exhibition view at Trixie, The Hague (NL)

Getting inside the head of an ox, 2023
digital video, Full HD, window installation with pigeon decoy
Play

info

The was—is—ever—shall—be of cosmic reproductivity, 2022
02′07″
info
audiovisual installation, exhibition view at REA Art Fair, Milan (IT)

The was—is—ever—shall—be of cosmic reproductivity, 2022
Super8 video transferred to Full HD, B&W prints on A3/A5 paper of 60/120g, Kodak Carousel slide projection Ø85 cm, milk drops on 35mm slides
info
audiovisual installation, exhibition view at Bermuda Open, The Hague (NL)

The was—is—ever—shall—be of cosmic reproductivity, 2022
video projection on cheesecloth 26 x 35 cm, Super8 video transferred to Full HD, B&W prints on A3/A5 paper of 60/120g, Kodak Carousel slide projection Ø85 cm, milk drops on 35mm slides
info
audiovisual installation, detail of slide projection with dried milk drops, exhibition view at Bermuda Open, The Hague (NL)

The was—is—ever—shall—be of cosmic reproductivity, 2022
analogue projection Kodak Carousel, ±90 cm
info
audiovisual installation, detail of print, exhibition view at Bermuda Open, The Hague (NL)

The was—is—ever—shall—be of cosmic reproductivity, 2022
B&W prints on paper, 29,7 x 42 cm
info
video still

The was—is—ever—shall—be of cosmic reproductivity, 2022
Super 8 transferred to Full HD, 1920 × 1440
Play

info

In the Name of Love, 2021
01′
info
video still

In the Name of Love, 2021
info
MA Thesis and visual essay

They are everywhere and they are armed, sometimes heavily, 2021
riso-printed by Terry Bleu in Amsterdam, 11x17 cm
info
MA Thesis and visual essay

They are everywhere and they are armed, sometimes heavily, 2021
riso-printed by Terry Bleu in Amsterdam, 11x17 cm
info
MA Thesis and visual essay

They are everywhere and they are armed, sometimes heavily, 2021
riso-printed by Terry Bleu in Amsterdam, 11x17 cm
info
MA Thesis and visual essay

They are everywhere and they are armed, sometimes heavily, 2021
riso-printed by Terry Bleu in Amsterdam, 11x17 cm
info
MA Thesis and visual essay

They are everywhere and they are armed, sometimes heavily, 2021
riso-printed by Terry Bleu in Amsterdam, 11x17 cm
info
MA Thesis and visual essay

They are everywhere and they are armed, sometimes heavily, 2021
riso-printed by Terry Bleu in Amsterdam, 11x17 cm
Play

info

A horse is a horse of course of course, 2020
12′32″
info
video still

A horse is a horse of course of course, 2020
info
2-channel video installation, exhibition view at KABK, The Hague (NL)

A horse is a horse of course of course, 2020
two 70” screens, horse riding ground soil, pool noodles, carpet Ø260cm
info
video still

A horse is a horse of course of course, 2020
info
video still

A horse is a horse of course of course, 2020
info
installation view, exhibition view at KABK, The Hague (NL)

A horse is a horse of course of course, 2020
pool noodles, carpet, tennis balls, pvc pipe tubes
info
video still

A horse is a horse of course of course, 2020
info
2-channel video installation, exhibition view at KABK, The Hague (NL)

A horse is a horse of course of course, 2020
Play

info

And it looks to me like the end of an era, 2019
11′08″
info
video installation, exhibition view at De Besturing, The Hague (NL)

And it looks to me like the end of an era, 2019
digital video Full HD, projection on 200 x 350 cm screen
info
video still

And it looks to me like the end of an era, 2019
info
video still

And it looks to me like the end of an era, 2019
info
video still

And it looks to me like the end of an era, 2019
info
video still

And it looks to me like the end of an era, 2019
info
engraved textile tapestry, exhibition view at KABK, The Hague (NL)

3.678 households — Recognising displaced women of the Belo Monte dam, 2019
textile laser cutting and metal structure, 85 x 700 cm
info
artist book, 180 pp, screenplay with photographs in black leather breviary cover

Destinazione d'uso (Intended use), 2017
digital print, photoprints, tape, glue, staples, 11,4 x 18 cm
info
artist book, 180 pp, screenplay with photographs in black leather breviary cover, spread

Destinazione d'uso (Intended use), 2017
digital print, photo prints, tape, 11,4 x 18 cm
info
artist book, 180 pp, screenplay with photographs in black leather breviary cover

Destinazione d'uso (Intended use), 2017
digital print, photoprints, tape, glue, staples, 11,4 x 18 cm
info
artist book, 180 pp, screenplay with photographs in black leather breviary cover, single page

Destinazione d'uso (Intended use), 2017
digital print, photoprints, tape, glue, staples, 11,4 x 18 cm

Cristina Lavosi (Italy, 1993) is a research-based visual artist and filmmaker. Her practice is concerned with investigating power structures and challenging institutions of violence. In particular, her artistic research explores how visual and verbal language is constructed and performed by Western political and cultural institutions to shape dominant narratives, impose archetypes of normative existence, and legitimise power structures. Her artistic methodology mostly involves critically analysing and counteracting Western prevailing systems of political organisation, especially in areas such as (re)production labour and the criminal justice system. Over the years, she focused on subjects such as the imposition of isolation and exploitative systems of accumulation within advanced capitalist economies and neoliberal societies; the mainstream construction of distorted definitions of policing; and the use of a love rhetoric to conceal police systemic violence and the criminalisation of precarious groups. With a focus on dismantling hegemonic narratives and ideologies, she is also committed to a transformative approach to storytelling and to finding ways to effectively propose alternative social imaginaries, mostly making use of fiction and re-enactment in her audio-visual work. Being directed at critiquing and opposing constructed notions, her practice is based on the deconstruction and re-contextualisation of visual and textual materials, resulting in time-based media and audio-visual installations. Her artistic language encompasses digital and analogue video, archival footage, photography, and print.

Websites

personal website

cristinalavosi.com

Social media

www.instagram.com/cristinalavosi/

vimeo.com/user118541019

Maakt deel uit van Kunstenaarsinitiatief / Collectief / Broedplaats

co-founder of First Cut, screening platform for video art

Lid van Beroeps- / Kunstenaarsvereniging

Filmwerkplaats

Curriculum vitae

Opleidingen

2021 - --

Art as Politics BAK, Utrecht
2018 - 2020

MA Non Linear Narrative Den Haag, Koninklijke Academie van Beeldende Kunsten Diploma behaald
2013 - 2017

BA Graphic Design and Visual Communication Isia Urbino, Italy Diploma behaald

tentoonstellingen

2024

In the vacuum we felt air Kunstfort Vijfhuizen Vijfhuizen, Nederland Groep
2024

Home cheese-making as radical collective action, BAK - basis voor actuele kunst Utrecht, Nederland workshop and screening
2024

Prospects 2024 Van Nelle Fabriek Rotterdam, Nederland Groep
2024

We Tolerate Failure Spazio In Situ Rome, Italië Groep
2023

What the swans are twittering about in the riverbed Trixie Den Haag, Nederland Groep
2023

Not Just A Fair Platform Post Arnhem, Nederland Groep
2023

Glued & Screwed Jatiwangi art Factory West Java, Indonesië film screening curated by WYSIWYG
2023

Emotional Fluctuations Tube Culture Hall Milan, Italië Groep
2023

Common Grounds The Grey Space in the Middle Den Haag, Nederland
2023

Art Au Centre #13 Art Au Centre Liège, België Groep
2023

Rewriting Climate Headlines ARIJ Forum Amman, Jordanië Groep
2022

Action-ethology-hahah Filmhuis Den Haag, Nederland film screening curated by WYSIWYG
2022

Forked Tongue 68th International Film Festival Oberhausen Oberhausen, Duitsland film screening Groep
2022

Labyrinth Festival WORM Rotterdam, Nederland film screening Groep
2022

Bermuda Open Studios Den Haag, Nederland Groep
2022

Home Home Cinema (online program) film screening Groep
2022

REA! Art Fair Fabbrica del Vapore Milan, Italië Groep
2022

Combat Prize Museo Civico Giovanni Fattori Livorno, Italië Groep
2022

Glued & Srewed Edition 5–Action - ethology - hahaha Filmhuis Den Haag, Nederland film program curated by WYSIWYG Groep
2021

Uncertainty Seminars KABK: There, There Stroom Den Haag Den Haag, Nederland screening program during Museumnacht Den Haag Groep
2021

Forked Tongue 17th Kinemastik International Short Film Festival film screening Groep
2021

Roots Festival Filmhuis Den Haag, Nederland film screening Groep
2020

On Our Own Time Koninklijke Academie van Beeldende Kunsten Den Haag, Nederland onourowntime.today Groep
2020

AF.FAIR Trama34 Barcelona, Spanje part of the exposition of artist Matteo Guidi Groep
2019

Six Degrees of Separation De Besturing Den Haag, Nederland in collaboration with Stroom Den Haag, the archeology department of the Municipality of The Hague and the Rotterdamsebaan project Groep
2019

All the Eyes on Amazon Muziekgebouw aan ’t IJ Amsterdam, Nederland maghetlichtaan.nl/programma-2019/expositie-alle-ogen-op-de-amazone/ Groep
2019

Views From Above Koninklijke Academie van Beeldende Kunsten Den Haag, Nederland Groep
2016

Fisianomia ISIA Urbino Urbino, Italië Groep

projecten

2024
A Choral Accomplishment Nederland cristinalavosi.com/a-choral-accomplishment/ digital video (6K), ceramics, installation in room covered with sheep wool
2023
An Enchanted Break Den Haag, België cristinalavosi.com/an-enchanted-break/ faux dry-stone wall 180 x 150 cm, 32” screen with 5 min video, vinyl text on window
2023
From the Ashes KABK in collaboration with ARIJ Network Amman, Jordanië collaboration with ARIJ journalists Mohammed Komani and Yassir El Makhtoum, made with artists Hattie Wade and Sophie Czich. Installation with single channel video, papier maché objects, ashes in acrylic boxes, and text on wall
2023
We Escape Hours and Minutes, Because We Don’t Have a Time Den Haag, Nederland cristinalavosi.com/we-escape-hours-and-minutes/ prints on textile 74,6 x 100 cm (x3), digitalised images from Kodak Portra 120mm medium format film
2022
The was—is—ever—shall—be of cosmic reproductivity Den Haag, Nederland cristinalavosi.com/the-was-is-ever-shall-be-of-cosmic-reproductivity/ Super 8 mm transferred to HD, 2’07” slide projection with dried milk drops, ±90 cm B&W prints on paper, 29,7 x 42 cm and 21 x 14,8 cm
2021
They are everywhere and they are armed, sometimes heavily Den Haag, Nederland cristinalavosi.com/they-are-everywhere-and-they-are-armed-sometimes-heavily/ Book design and visual essay
2021
In the Name of Love Den Haag, Nederland cristinalavosi.com/in-the-name-of-love/ 1 minute video essay
2020
A horse is a horse of course of course Den Haag, Nederland cristinalavosi.com/a-horse-is-a-horse-of-course-of-course 2-channel video, sound, 5 min “A horse is a horse of course of course” is een geënsceneerde tweekanaals video die de ambiguïteit en fictie, die inherent zijn aan de representatie van politiepaarden, kritisch bevraagd. Het werk bevraagd de beeldtaal en het narratief van de bereden politie, die politiepaarden gebruikt als “efficiënte” en “sterke” maar toch “humane” en “natuurlijke” instrumenten om veiligheid te bieden.
2019
And it looks to me like the end of an era Den Haag, Nederland cristinalavosi.com/and-it-looks-to-me-like-the-end-of-an-era single-channel video, sound, 10 min
2019
3.678 households — Recognising displaced women of the Belo Monte dam Den Haag, Nederland cristinalavosi.com/3-678-households engraved textile tapestry, 0,85 x 7 m
2017
Destinazione d'uso (Intended use) Rome, Italië cristinalavosi.com/destinazione-duso artist’s book, 11,4 x 18 cm, 180 pp, black leather breviary cover

opdrachten

2023

Rewriting Climate Headlines ARIJ Amman, Jordanië Commission of artwork in collaboration with Netherlands-based artists Hattie Wade and Sophie Czich and in partnership with journalists Munir Al-Khatib, Yassir El Makthoum, and Mohammed Komani. Project Rewriting Climate Headlines initiated by KABK and Arab Reporters for Investigative Journalism (ARIJ) en.arij.net/news/rewriting-climate-headlines-a-cross-border-training-program-by-arij-and-the-royal-academy-of-art-in-the-hague/#gsc.tab=0 Uitgevoerd

publicaties

2022

Janas Robida Italië contribution in collaboration with Adele Dipasquale
2021

They are everywhere and they are armed, sometimes heavily Boek self-published Den Haag, Nederland MA Thesis and visual essay, riso-printed by Terry Bleu in Amsterdam
2020

Views from Above. Networks, Colonial Vision and Indigenous Resistance in the Brazilian Amazon Catalogus KABK Den Haag, Nederland
2019

Six degrees of separation. Excavated Stories from the Rotterdamsebaan Catalogus KABK Den Haag, Nederland

Prijzen en stipendia

2024

SPOT Individuele Tentoonstelling Stroom Den Haag Den Haag, Nederland
2024

Voucher Development Mondriaan Fonds, NL Nederland
2023

PRO Invest Stroom Den Haag Den Haag, Nederland
2022

Kunstenaar Start Mondriaan Fonds, NL Nederland
2021

PRO Onderzoek Stroom Den Haag Den Haag, Nederland
2020

Master Department Award Koninklijke Academie van Beeldende Kunsten, Den Haag Den Haag, Nederland Winner

artistieke nevenactiviteiten

2023 - 2023

Guest tutor at ISIA Urbino for the class of Sociology of Communication
2022 - 2022

Collaborator for Dinner Session: Ariane Toussaint + The Spectrum by The Hague-based artist Ariane Toussaint and interdisciplinary platform The Spectrum Space, The Grey Space in the Middle
2021 - 2021

Host for series of interviews with the graduating students of MA Non Linear Narrative, conducted in collaboration with Benjamin Earl
2021 - 2021

Assistant to artists selected by Stroom Den Haag for the commission of artwork in public space, Rotterdamsebaan project
2019 - 2019

Member of the admissions committee for the selection of new MA Non Linear Narrative students at the Royal Academy of Art, The Hague (NL)
2016 - 2018

Assistant art director for the publishing house 66thand2nd