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Cotton fabric with silkscreen print suspended by rope using engraved granite stone as anchor. Accompanying text features found newspaper clippings.
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Cotton fabric with silkscreen print suspended by rope using engraved granite stone as anchor. Accompanying text features found newspaper clippings.
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Cotton fabric with silkscreen print suspended by rope using engraved granite stone as anchor. Accompanying text features found newspaper clippings.
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Bradford 12: The Asian youth who took on the racistsinfo
This was an interview I recorded and co-produced for Outlook at the BBC World Service. The story follows anti-racist activist Tariq Mehmood, who was arrested for conspiracy to make explosives. It led to the historic Bradford 12 trial where he argued that self-defence is no offence.
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My secret photos of South Korea's fight for democracyinfo
Photojournalist Na Kyung-taek found himself at the centre of a massive wave of student-led protests, erupting from the city of Gwangju in South Korea in 1980.
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hosted online at Kleio Collective. It was a series of interactive text and soundscapes recorded in South Korea that was based on my research into my Korean family’s Jokbo - a form of geneaology book keeping. Through a compilation of short stories, dream sequences, and audio notes, the exhibition showcased my work around my family memory and access to it through nonlinear time.
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Tatar Seoul Radio was an online radio platform that was a series of intertwined broadcasts that bridged two stories and narratives from Seoul and Moscow. Introducing ourselves as two characters on a map, we livestreamed our journeys and threaded narratives on Twitch - exploring family history, hauntology, migration, and memory.
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Planar Transmissions was a series of daily broadcast sessions carried out using a yagi antenna and a HAM amateur radio operation set. The microphone was fashioned with a cartridge needle, picking up the surface of the pulp panels and broadcasted through the antenna at 453.6875 MHz. The location of the broadcast was transcribed in binary code and embedded onto the pulp panelsthrough the form of hand signals.
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A binaural recording was produced while walking around the British Museum, exploring the site as a space of entering the past. The recording was continuously transmitted from within the pulp tower, where the panel against the wall received the signal through a bone transducer. This allowed the paper to act as a conduit for a vibrational surface, allowing sound to manifest - from the past into the presence of the now.
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A binaural recording was produced while walking around the British Museum, exploring the site as a space of entering the past. The recording was continuously transmitted from within the pulp tower, where the panel against the wall received the signal through a bone transducer. This allowed the paper to act as a conduit for a vibrational surface, allowing sound to manifest - from the past into the presence of the now.
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Phonograph Prototype was a re-interpretation of a phonograph's potential modern function based on the original Edison Wax Cylinder design. The wheel was coated with wax, picking up the remants and grooves of it's previous location. The needle placed against the wheel allowed instant playback, as the user navigates in space with the device. The needle was connected to a pre-amplifier, allowing an amplification and an interpretation of the marks along the wax surface.
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Phonograph Prototype was a re-interpretation of a phonograph's potential modern function based on the original Edison Wax Cylinder design. The wheel was coated with wax, picking up the remants and grooves of it's previous location. The needle placed against the wheel allowed instant playback, as the user navigates in space with the device. The needle was connected to a pre-amplifier, allowing an amplification and an interpretation of the marks along the wax surface.
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broadcast was transcribed in binary code and embedded onto the pulp panelsthrough the form of hand signals.
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broadcast was transcribed in binary code and embedded onto the pulp panelsthrough the form of hand signals.
Websites
Social media
Curriculum vitae
Opleidingen
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2020 - 2020Code Societies The School for Poetic Computation
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2015 - 2018Fine Arts Chelsea College of Arts, University of the Arts London Diploma behaald
tentoonstellingen
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2024Undercover Royal Academy of Art, The Hague The Hague, Nederland Groep
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2023Walking as a Form of Mapping Meeting of Independent Radio Producers Oxford, België Groep
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2022Joke Radiophrenia Glasgow, London Groep
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2020Smithsonian Treasures Cities and Memory Oxford & Worldwide, Verenigde Staten Groep
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2020Code Societies Showcase The School for Poetic Computation New York, Verenigde Staten Groep
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2019Technology and Social Good International House New York, Verenigde Staten Groep
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2018Degree Show Chelsea College of Arts London, Verenigd Koninkrijk Groep
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2017Translations Chelsea College of Arts London, Verenigd Koninkrijk Groep
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2017Alt The Old Police Station London, Verenigd Koninkrijk Groep
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2017Cue 2 Cue Etcetera Theatre London, Verenigd Koninkrijk Groep
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2016Territories Chelsea College of Arts London, Verenigd Koninkrijk Groep
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2016Beginnings of Truth Punctum Gallery London, Verenigd Koninkrijk Groep
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2016Open 16 Live Night Peckham Platform London, Verenigd Koninkrijk Groep
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2016Meeting Point Myatt's Fields Park London, Verenigd Koninkrijk Groep
projecten
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2024
To Become Weightless, 내가 죽어야 한다면 Royal Academy of Art The Hague The Hague, Nederland To Become Weightless, 내가 죽어야 한다면 is a re-enactment of the historical narratives surrounding the construction of symbols for peace. The work draws on the Peace Palace and it’s foundation stone in The Hague - along with the parallel history of three Korean emissaries who first came to The Hague in 1907 for the Second Hague Peace Conference. Seeking support for Korea’s independence under Japanese colonization, they were ultimately denied entry. By overlaying the names of the denied Korean emissaries onto the foundation stone, the act serves as an exercise in remembrance and re-enacting the past to uncover discrepancies in how we choose to remember.
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2023
My secret photos of South Korea's fight for democracy BBC London, Verenigd Koninkrijk www.bbc.co.uk/programmes/w3ct4qw5 Photojournalist Na Kyung-taek found himself at the centre of a massive wave of student-led protests, erupting from the city of Gwangju in South Korea in 1980.
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2023
Bradford 12: The Asian youth who took on the racists BBC London, Verenigd Koninkrijk Tariq Mehmood endured violent racism as an immigrant teen in 1970s Britain. He found shelter and wisdom in a library, sparking an entire movement to resist racist attacks.
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2023
Bradford 12: The Asian youth who took on the racists BBC London, Verenigd Koninkrijk www.bbc.co.uk/programmes/w3ct4r37 Tariq Mehmood endured violent racism as an immigrant teen in 1970s Britain. He found shelter and wisdom in a library, sparking an entire movement to resist racist attacks.
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2022
Jokbo Radiophrenia Glasgow & London, Verenigd Koninkrijk Jokbo was a compilation of dream sequences, memories and voices that are based on my family tree - hailing from the Korean traditional practice of geneaogy books. Fragments of people from my own family that I’ve never met and from those that are present in my life are recollected through audio notes detailing my dreams of them over the course of the year, and through EVP recordings. The audio sequences were recorded and broadcasted through HAM radio.
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2021
Tatar Seoul Radio Seoul, Zuid-Korea Tatar Seoul Radio was an online radio platform that was a series of intertwined broadcasts that bridged two stories and narratives from Seoul and Moscow. Introducing ourselves as two characters on a map, we livestreamed our journeys and threaded narratives on Twitch - exploring family history, hauntology, migration, and memory. The project was later exhibited at the Digital Artist Residency, where we continued the broadcast with a series of livestreamed events.
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2018
Planar Transmissions Chelsea College of Arts London, Verenigd Koninkrijk Planar Transmissions was a series of daily broadcast sessions carried out using a yagi antenna and a HAM amateur radio operation set. The microphone was fashioned with a cartridge needle, picking up the surface of the pulp panels and broadcasted through the antenna at 453.6875 MHz. The location of the broadcast was transcribed in binary code and embedded onto the pulp panels through the form of hand signals.
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My secret photos of South Korea's fight for democracy BBC London, Verenigd Koninkrijk www.bbc.co.uk/programmes/w3ct4qw5 Photojournalist Na Kyung-taek found himself at the centre of a massive wave of student-led protests, erupting from the city of Gwangju in South Korea in 1980.
Internationale uitwisselingen / Artist-in-residencies
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2022Kleio Collective London, Verenigd Koninkrijk When a trace becomes a line was a month long artist residency hosted online at Kleio Collective. It was a series of interactive text and soundscapes recorded in South Korea that was based on my research into my Korean family’s Jokbo - a form of geneaology book keeping. Through a compilation of short stories, dream sequences, and audio notes, the exhibition showcased my work around my family memory and access to it through nonlinear time.
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2021Digital Artist Residency London, Verenigd Koninkrijk Tatar Seoul Radio was an online radio platform that was a series of intertwined broadcasts that bridged two stories and narratives from Seoul and Moscow. Introducing ourselves as two characters on a map, we livestreamed our journeys and threaded narratives on Twitch - exploring family history, hauntology, migration, and memory. The project was later exhibited at the Digital Artist Residency, where we continued the broadcast with a series of livestreamed events.
Prijzen en stipendia
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2020West Collection: Funds for Visual Artists West Collection Verenigde Staten